On Demand Webcast: Sweat the Small Stuff: Tips for Running a Live Event All By Yourself
Presented By: Karen Van Wert, Qumu Knowledge Manager
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good evening and welcome to the
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this the latest in Baku series of
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webcasts this being the five
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simple steps for creating high-quality
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business video
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director
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Harry London I’m joined today by Rob James from soprano
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digital media
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experience
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that you’ll be able to create high-quality
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business video
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using relatively low-cost
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equipment
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because you are some different types of equipment
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and how they can be used how they can
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plug into different Enterprise video
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Solutions will
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be focusing on the cloud platform this
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evening
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have a
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matcha
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tea on the table we could a couple of things lined up
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we have a 2 camera setup
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for the main web
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constant self that you would that you
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are seeing is through it on the table
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hey we have a Sony A7
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on a tripod
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and that is connected to
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the Blackmagic web presenter
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which is been exposing
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that camera to a
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suffering that
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we have on that machine but also
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the browser that will be showing two
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devices
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that can connect
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it
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to do everything is running into the
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Mac
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to show
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you mobile
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I’m
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going to go through a 5T
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simple steps to
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creating high-quality business with
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those
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steps are
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we going to be
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going through some video overfeed
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Basics the roads going to talk about
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face it with his lands in the
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industry but also
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going
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into, Cloud customers and helping
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them set up these high-quality environments
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what we’ve learned
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and how we can help customers
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do this pasta
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recording
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techniques once you take them
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how do you apply them
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today
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was always a Hot Topic how do you edit video but
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I think there was some
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interesting ways in which you can
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improve the quality of
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video by
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little simple things to
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stitching together a different things in a way to
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create some really good content
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using
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it in Kota
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much like we all
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doing here so I think the
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first thing to do is to
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find a bit to to roll
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he’s going to touch on some video ography
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techniques
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thank you John right
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so I’ve got
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a list of things that
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in my experience working with me
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texting is working with people
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in boardrooms and meeting rooms that want
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to get the best out of that video experience
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and I’ve I’ve
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come up with a
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lot
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of
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the time people forget about
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old
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people
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things
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which you may have heard of
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and that’s how much lights is actually coming
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into the camera
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composition
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very important to make sure you frame yoga subject
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correctly or if you told me yourself that you strain yourself
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correctly and then
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and
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that field
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we from the facts being too loud so
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it speaking and you get the 3-D golf ball
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to the crunchy
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kind of nasty
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to
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loudest to it so the best thing the reason best way of
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getting away from this is to monitor it
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you need to listen to it was being recorded
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or if you’re recording of self
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attest
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I’m
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just up loads or recording listen to the back
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into
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the volume sounds like that then
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you
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just
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want to say just put the pups this we have no way of sponsored
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Affiliated
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affiliated
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with
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the
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front which is the
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just about touching into the
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orange never ends the righteous of the orange
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was as people talk a little bit louder
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exposure
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over
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exposing a shot this is when you have too much light
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is
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defined as the amount of light that is
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going to the beach the
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couch so that the
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looks
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like it should be done for the second show up before
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that underexposed not enough light that
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you
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can see
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it’s just I’m not I’m not what I think it’s ready
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like we often say
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and
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environment when people are doing
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with Holdings in offices
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of when you’ll have a great
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view of the window and you’ll
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set up a
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webcam or at the
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shorts with his lovely
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backdrop it actually is just accused
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LifeSource We Stand
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completely over it but I thought your
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representative at
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Turtle silhouette so I often
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say when there’s a big window just face it
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use that as the lightsource
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use that as the central
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point of
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view
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second to one of the biggest things about making
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a video released and out and having
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having a big window can be relentless
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in the fact that you’ve got
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to see that
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tends to be quite variable clouds
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and everything’s going along safe
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I mean ideally you want to be in a
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situation where you go
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possible
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before
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you
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double
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check it because something want to change the light up
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once
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again protest
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recordings again that’s another way if I just
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making sure the exposure looks okay after it’s
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been in Cody didn’t go through it through the system
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will save some
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they
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will have
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special assistance to such a zebra stripes
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on and wait for months
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looking
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into
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little Headroom
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framing
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it
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looks like a
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human
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being
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around
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so
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just before he recording double-check once again
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will say
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this will have grid
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Lines by
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if
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you’re doing but
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you
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keep some keep that the subjects lined up on the
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edges or directly in the middle
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down the middle of those
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lines and
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a good good tip for getting
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what is to use
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the top
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line just round about the ilvl noise
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level whatever
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camera
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sometimes things in the background more
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interesting do the camera things that’s more interesting
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than the actual subject
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is
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in Titus and I know John again double
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check make sure if you
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want
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to
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open
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up a chip that means that you build that field
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is it is quite license on moving forward and
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backwards could well take them out if a
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cat’s sake of
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cameras
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with that we
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can think about much is
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bad representation with
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some lines
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so in order to get the best out of
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it.
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Looks
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like it should do look and see if it’s in the dark and see if
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it’s in like the exposure they are subject
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yourself is framed as
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friends well and that
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I mean
00:10:08.300 –> 00:10:11.200
yeah
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and with that joint I think that’s my fault
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I thought to be okay so I
00:10:15.800 –> 00:10:17.500
think what we wanted to to to
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then do is start to look at how you can
00:10:19.800 –> 00:10:21.500
apply some of these
00:10:21.500 –> 00:10:23.900
techniques to create
00:10:23.900 –> 00:10:25.700
and good for high quality business.
00:10:25.700 –> 00:10:35.700
I’m
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sharing ice cream so what you’ll see
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here is I am
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effectively recording from
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webcam so we have a function in our solution that allows
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you to record direct from a webcam so I’m
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doing this directly from
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this sign ti7 I’m taking the Old
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Yeller long to HDMI that you saw
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into the black magic Witch is exposing
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it to my computer as a
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webcam so what I’m able to do is
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then position myself
00:11:00.300 –> 00:11:02.900
correctly so we talked about this guy
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for the top of that
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it’s all I’m making sure
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my audios okay
00:11:07.900 –> 00:11:09.900
and I’m staring down the
00:11:09.900 –> 00:11:11.900
barrel of the gun rub than doing
00:11:11.900 –> 00:11:13.800
a you know it’s looking head
00:11:13.800 –> 00:11:14.500
off to the side
00:11:14.500 –> 00:11:16.800
but in this case
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it’s just make sure I’m all right and then
00:11:18.900 –> 00:11:19.700
away we go
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mcountdown
00:11:23.200 –> 00:11:25.900
okay so now I’m going to do my
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recording thank you very much everybody
00:11:27.500 –> 00:11:29.900
I’m going to talk to you some slide so I’m going
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to synchronize live on and
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slide to
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see
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that this time was going straight into the platform
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thank you very much
00:11:39.400 –> 00:11:41.400
right so we see here that the the
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whole workflow Harry
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directly into the TV solution so I’m not
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recording this to a
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SD card
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I’m not them transferring it I’m not
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editing it’s all done directly in the
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browser to straight away
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I could an automatically edited in
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pre-roll and then goes straight to
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my recording
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you can see the slight
00:12:02.100 –> 00:12:04.400
synchronisation on the run like that so
00:12:04.400 –> 00:12:06.900
it’s touching on that pre or
00:12:06.900 –> 00:12:08.900
post role as well because
00:12:08.900 –> 00:12:10.700
I’ve used to eat
00:12:10.700 –> 00:12:12.700
so I could
00:12:12.700 –> 00:12:14.800
change that but also we often see a
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lot of people at the end of the videos
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having some form of disclaimer
00:12:18.400 –> 00:12:20.800
so I can fill out the disclaimer at the
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end
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but
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it’s really nice. She’s
00:12:28.500 –> 00:12:31.500
having
00:12:31.500 –> 00:12:33.600
a little intro sequence it means it’s going to be
00:12:33.600 –> 00:12:35.700
it’s going to be on Grand and
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you going to have
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I need to just to show you
00:12:41.900 –> 00:12:42.700
that final video
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published
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it’s ready it’s a high-quality video
00:12:47.500 –> 00:12:49.500
it synchronize with
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slides that whole production
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process was very very quick
00:12:53.200 –> 00:12:55.200
if I could fly that
00:12:55.200 –> 00:12:57.500
will see me cut straight to
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Marriott that we go to that is my
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video going through
00:13:04.300 –> 00:13:08.800
how
00:13:08.800 –> 00:13:10.700
we
00:13:10.700 –> 00:13:12.800
can get some of those
00:13:12.800 –> 00:13:14.800
techniques that Rob talks about
00:13:14.800 –> 00:13:17.000
I
00:13:17.000 –> 00:13:17.900
just wanted to kind of
00:13:17.900 –> 00:13:20.000
just
00:13:20.000 –> 00:13:22.600
add a little bit more to the idea of
00:13:22.600 –> 00:13:24.600
where we stitched the pre-roll video
00:13:24.600 –> 00:13:26.300
it onto the video
00:13:26.300 –> 00:13:28.900
not concept of editing in
00:13:28.900 –> 00:13:30.900
the browser is really really valuable
00:13:30.900 –> 00:13:32.900
in internal comms and creating
00:13:32.900 –> 00:13:34.800
video I said what I just done that
00:13:34.800 –> 00:13:36.900
was so you
00:13:36.900 –> 00:13:38.700
what you just recorded a video by the
00:13:38.700 –> 00:13:40.700
vibe what is essentially webcam butt
00:13:40.700 –> 00:13:42.800
into the
00:13:42.800 –> 00:13:48.500
Thunder
00:13:48.500 –> 00:13:50.900
synchronized some slides along
00:13:50.900 –> 00:13:52.400
with a video I don’t have to do that
00:13:52.400 –> 00:13:54.900
when the reasons why I like
00:13:54.900 –> 00:13:56.500
synchronizing slides
00:13:56.500 –> 00:13:57.600
is that you can
00:13:57.600 –> 00:13:59.600
focus just on a
00:13:59.600 –> 00:14:00.100
person to a
00:14:00.300 –> 00:14:02.800
found the camera and you are fake to be
00:14:02.800 –> 00:14:04.800
giving a presentation so you can capture
00:14:04.800 –> 00:14:05.600
a
00:14:05.600 –> 00:14:07.800
summarization of a
00:14:07.800 –> 00:14:09.700
half-mile presentation really easy and it’s a really
00:14:09.700 –> 00:14:11.900
neat full
00:14:11.900 –> 00:14:13.600
match today to take delivery of
00:14:13.600 –> 00:14:15.300
that sort of message and then
00:14:15.300 –> 00:14:25.200
I
00:14:25.200 –> 00:14:27.600
open referred to training contents
00:14:27.600 –> 00:14:37.500
so
00:14:37.500 –> 00:14:39.800
it would cause your screen as bright as you can do a
00:14:39.800 –> 00:14:41.300
voiceover to a PowerPoint presentation
00:14:41.300 –> 00:14:43.500
or a voice I went to a demonstration
00:14:43.500 –> 00:14:45.600
of a pothole and
00:14:45.600 –> 00:14:48.500
every
00:14:48.500 –> 00:14:50.700
employee in a business and everybody
00:14:50.700 –> 00:14:52.900
becomes a Content contributed to internal
00:14:52.900 –> 00:14:54.200
comes in training and he showered
00:15:00.200 –> 00:15:02.900
so I didn’t I’m being able to edit
00:15:02.900 –> 00:15:04.000
being able to ads
00:15:04.000 –> 00:15:06.800
summaries being able to add introductions being
00:15:06.800 –> 00:15:08.400
able to add disclaimers
00:15:08.400 –> 00:15:10.100
using that kind of assembly to
00:15:10.100 –> 00:15:13.000
be
00:15:13.000 –> 00:15:13.600
cut back to the
00:15:15.500 –> 00:15:16.500
slicing an
00:15:16.500 –> 00:15:18.100
example
00:15:18.100 –> 00:15:26.200
of
00:15:26.200 –> 00:15:28.300
a short
00:15:28.300 –> 00:15:30.600
introduction video that I recorded
00:15:30.600 –> 00:15:31.800
in the same setup
00:15:31.800 –> 00:15:33.800
and then I
00:15:33.800 –> 00:15:35.100
have a screen capture
00:15:35.100 –> 00:15:37.900
that I’ve recorded using the screen capture
00:15:37.900 –> 00:15:39.800
to live in infamy that you can
00:15:39.800 –> 00:15:40.700
see my
00:15:40.700 –> 00:15:42.800
highlights app and an
00:15:42.800 –> 00:15:44.700
Uber sorts of things as I give a demonstration
00:15:44.700 –> 00:15:45.800
the platform
00:15:45.800 –> 00:15:51.700
allows
00:15:51.700 –> 00:15:53.900
me to search through the repository so I
00:15:53.900 –> 00:15:55.800
could just add a a Quick Test video
00:15:55.800 –> 00:15:57.800
that and that would throw that into the
00:15:57.800 –> 00:15:59.700
timeline as well where I can
00:15:59.700 –> 00:16:01.500
then split trim
00:16:01.500 –> 00:16:03.700
edit and assemble this
00:16:03.700 –> 00:16:05.800
video content settings you wouldn’t have to
00:16:05.800 –> 00:16:07.600
do it all in one take you could you can
00:16:07.600 –> 00:16:09.900
do your best takes take take your time
00:16:09.900 –> 00:16:10.500
over at
00:16:10.500 –> 00:16:12.600
making you
00:16:15.500 –> 00:16:18.300
well
00:16:18.300 –> 00:16:20.900
I need for people to be contributing to a video
00:16:20.900 –> 00:16:25.000
content
00:16:25.000 –> 00:16:27.700
and then until
00:16:27.700 –> 00:16:29.900
training class and can actually assemble life together and
00:16:29.900 –> 00:16:31.900
create what would be seen as more
00:16:31.900 –> 00:16:33.500
valuable content in the injured
00:16:33.500 –> 00:16:35.300
individual videos did you said
00:16:35.300 –> 00:16:39.800
we
00:16:39.800 –> 00:16:41.800
have three roll it will cut see the
00:16:41.800 –> 00:16:43.200
first introduction
00:16:43.200 –> 00:16:45.100
summary that that’s the best
00:16:45.100 –> 00:16:47.500
option that because we’re doing about
00:16:47.500 –> 00:16:49.000
16 different streams at once
00:16:49.000 –> 00:16:51.700
and then we go to get a
00:16:51.700 –> 00:16:52.000
screenshot
00:16:52.000 –> 00:16:54.600
to
00:16:54.600 –> 00:16:56.600
the idea that you can remove
00:16:56.600 –> 00:16:58.400
the concept of
00:17:00.900 –> 00:17:02.400
needing to edit
00:17:02.400 –> 00:17:04.500
internet is sweets when
00:17:04.500 –> 00:17:06.500
the skillset not that
00:17:06.500 –> 00:17:08.900
not everybody has Final Cut
00:17:08.900 –> 00:17:09.400
Pro or
00:17:09.400 –> 00:17:14.700
recorded
00:17:14.700 –> 00:17:16.400
straight to a hip hop
00:17:16.400 –> 00:17:18.800
top and tile pre-rolled
00:17:18.800 –> 00:17:20.700
play stroll you can send it
00:17:20.700 –> 00:17:26.100
is
00:17:26.100 –> 00:17:27.100
fine besides
00:17:27.100 –> 00:17:37.000
the
00:17:37.000 –> 00:17:39.100
next item able to
00:17:39.100 –> 00:17:43.300
effectively
00:17:43.300 –> 00:17:45.700
we have to have the ability
00:17:45.700 –> 00:17:45.700
to
00:17:48.000 –> 00:17:50.300
ingest video into a relationship
00:17:50.300 –> 00:17:52.800
translation using a an
00:17:52.800 –> 00:17:53.100
app
00:17:53.100 –> 00:17:55.800
so I am
00:17:55.800 –> 00:17:57.800
just going to do this as we speak
00:17:57.800 –> 00:17:58.800
I’m going to the
00:17:58.800 –> 00:18:00.900
west
00:18:00.900 –> 00:18:02.000
of I-70 going to
00:18:02.000 –> 00:18:12.100
the
00:18:12.100 –> 00:18:12.100
court
00:18:14.200 –> 00:18:16.700
okay so this is another Quick Test video thank you
00:18:16.700 –> 00:18:18.900
but I’m doing directly in the
00:18:18.900 –> 00:18:20.600
web contests are you thank you very much
00:18:20.600 –> 00:18:22.400
everybody for listening I will stop
00:18:22.400 –> 00:18:26.600
using
00:18:26.600 –> 00:18:28.700
mobile device having toilet is really useful
00:18:28.700 –> 00:18:29.700
what does it that mean
00:18:29.700 –> 00:18:38.300
another
00:18:38.300 –> 00:18:40.700
device and then also an external
00:18:40.700 –> 00:18:42.900
microphone that will greatly improve the
00:18:42.900 –> 00:18:51.000
iRig
00:18:51.000 –> 00:18:52.200
pre am which has annexed
00:18:52.200 –> 00:18:55.200
into
00:18:55.200 –> 00:18:57.700
it which is a really neat way of making sure
00:18:57.700 –> 00:18:59.800
your Rodeo isn’t
00:18:59.800 –> 00:19:00.900
bad because
00:19:00.900 –> 00:19:02.300
Amazon
00:19:02.300 –> 00:19:04.900
open far away from you when you’re doing
00:19:04.900 –> 00:19:04.900
this.
00:19:14.100 –> 00:19:16.800
that one will take when your positioning this is just
00:19:16.800 –> 00:19:18.900
make sure that the this is the initial
00:19:18.900 –> 00:19:20.900
my friend is robbing any clothing or
00:19:20.900 –> 00:19:22.700
is not to place too
00:19:22.700 –> 00:19:23.400
far away and
00:19:23.400 –> 00:19:26.100
the
00:19:26.100 –> 00:19:28.100
way the way to get around those things
00:19:28.100 –> 00:19:30.900
up load
00:19:30.900 –> 00:19:32.500
going directly into
00:19:32.500 –> 00:19:34.600
our portal so we are
00:19:34.600 –> 00:19:36.900
waiting
00:19:36.900 –> 00:19:38.900
for that to go let
00:19:38.900 –> 00:19:40.600
me go right sick if I just go
00:19:40.600 –> 00:19:41.800
quickly back over here
00:19:53.400 –> 00:19:54.900
Quickly’s electoral
00:19:54.900 –> 00:19:54.900
presentations
00:19:57.100 –> 00:19:59.600
mycc. That quick
00:19:59.600 –> 00:20:00.600
test published
00:20:00.600 –> 00:20:02.900
waving
00:20:02.900 –> 00:20:03.500
in the background
00:20:03.500 –> 00:20:09.200
video
00:20:09.200 –> 00:20:11.500
that’s in that work flow I
00:20:11.500 –> 00:20:13.600
reported from a nap publish to the
00:20:13.600 –> 00:20:15.800
cloud it’s a pain in the platform
00:20:15.800 –> 00:20:17.900
that is Friends targeted ready to
00:20:17.900 –> 00:20:19.700
go ready to email out to customers
00:20:19.700 –> 00:20:21.600
it’s a really neat
00:20:21.600 –> 00:20:23.900
way of creating high-quality business video
00:20:23.900 –> 00:20:25.800
best use
00:20:25.800 –> 00:20:27.800
case I’ve seen this kind of thing is
00:20:27.800 –> 00:20:28.600
collaborative
00:20:28.600 –> 00:20:30.800
video with in
00:20:30.800 –> 00:20:32.600
internal comms so I’m
00:20:32.600 –> 00:20:34.200
allowing people to download the app
00:20:34.200 –> 00:20:36.700
giving the mole access to record the rain
00:20:36.700 –> 00:20:38.800
videos submitting through
00:20:38.800 –> 00:20:40.700
the process directions to the Portland
00:20:40.700 –> 00:20:42.600
and having internal comes in marketing
00:20:42.600 –> 00:20:43.900
teams they have to assemble
00:20:43.900 –> 00:20:45.900
example and taking
00:20:45.900 –> 00:20:47.800
statements from different people to create lahja
00:20:47.800 –> 00:20:49.900
full videos without having
00:20:49.900 –> 00:20:51.900
to send out, Cruz everywhere and
00:20:51.900 –> 00:20:53.600
it is remarkable what a
00:20:53.600 –> 00:20:55.600
tripod and a little
00:20:55.600 –> 00:20:56.900
microphone can do with those eyes
00:20:57.100 –> 00:20:59.900
iOS devices you don’t get the depth of field in the quality
00:20:59.900 –> 00:21:01.400
that you would with these cameras but
00:21:01.400 –> 00:21:03.800
it is not far off and not getting better
00:21:03.800 –> 00:21:04.000
and
00:21:04.000 –> 00:21:09.800
better.
00:21:09.800 –> 00:21:11.900
She sometimes has been quite well, guy from
00:21:11.900 –> 00:21:12.100
head
00:21:12.100 –> 00:21:14.800
to
00:21:14.800 –> 00:21:21.100
the
00:21:21.100 –> 00:21:23.600
final topic about
00:21:23.600 –> 00:21:33.500
using
00:21:33.500 –> 00:21:34.700
mobile devices to upload
00:21:34.700 –> 00:21:38.700
so
00:21:38.700 –> 00:21:45.900
I’m
00:21:45.900 –> 00:21:47.900
going to briefly mention
00:21:47.900 –> 00:21:49.800
the different ways in which we can
00:21:49.800 –> 00:21:51.800
do live streaming in the
00:21:51.800 –> 00:21:53.800
camera consolation should we just cut to
00:21:53.800 –> 00:21:53.800
oops
00:21:57.100 –> 00:22:09.600
Riley
00:22:09.600 –> 00:22:10.900
and
00:22:10.900 –> 00:22:21.500
why
00:22:21.500 –> 00:22:23.700
we dial directly into key solution from
00:22:23.700 –> 00:22:25.800
video conferencing sweet Skype for business is
00:22:25.800 –> 00:22:26.900
using all you see Gateway
00:22:26.900 –> 00:22:28.800
and
00:22:28.800 –> 00:22:30.900
that the results are what counts for the team
00:22:30.900 –> 00:22:32.800
too many zooz on that particular topic
00:22:32.800 –> 00:22:34.300
but life of my Pam
00:22:34.300 –> 00:22:36.800
actually utilizes
00:22:36.800 –> 00:22:37.700
the same
00:22:37.700 –> 00:22:39.900
webcam solutions that way
00:22:39.900 –> 00:22:41.700
it was up with that we talked about before so this
00:22:41.700 –> 00:22:43.200
idea of having a black magic
00:22:43.200 –> 00:22:45.600
representer connected to a
00:22:45.600 –> 00:22:47.700
decent decent camera
00:22:47.700 –> 00:22:49.600
that you can just stream live
00:22:49.600 –> 00:22:51.500
from your desktop high quality
00:22:51.500 –> 00:22:53.800
which is really really powerful
00:22:53.800 –> 00:22:55.200
I mean you could use a webcam
00:22:57.000 –> 00:22:59.700
actually what we’re
00:22:59.700 –> 00:23:01.800
doing is worth doing life from in Kota so we
00:23:01.800 –> 00:23:03.800
specified are encoded
00:23:03.800 –> 00:23:05.900
settings with pointing and rtmp stream
00:23:05.900 –> 00:23:07.900
to the
00:23:07.900 –> 00:23:09.800
stream and
00:23:09.800 –> 00:23:11.700
how we doing that is in this particular
00:23:11.700 –> 00:23:13.500
case we are using walk hostel
00:23:13.500 –> 00:23:15.200
so we set up a
00:23:15.200 –> 00:23:17.200
time line so
00:23:17.200 –> 00:23:21.500
it’s
00:23:21.500 –> 00:23:23.800
a good one there are free premium
00:23:23.800 –> 00:23:25.100
freeway. Message
00:23:25.100 –> 00:23:33.200
block
00:23:33.200 –> 00:23:35.800
house has a message to write what I say I say
00:23:35.800 –> 00:23:37.900
you see here the time I said we’ve we’ve let alone
00:23:37.900 –> 00:23:39.800
the top head of slides and images of
00:23:39.800 –> 00:23:41.600
ingested into this these
00:23:41.600 –> 00:23:43.600
presentations that are holding
00:23:43.600 –> 00:23:45.900
an emergency images
00:23:45.900 –> 00:23:47.900
if something goes wrong we can you see we have
00:23:47.900 –> 00:23:49.200
to have the screen capture
00:23:49.200 –> 00:23:51.600
and we’ve got
00:23:51.600 –> 00:23:53.600
the three
00:23:53.600 –> 00:23:55.200
commercials so I can come between these three
00:23:55.200 –> 00:23:56.300
cameras very
00:23:57.000 –> 00:23:58.700
play in exchanging changing a spring
00:23:58.700 –> 00:24:04.600
event
00:24:04.600 –> 00:24:05.600
and
00:24:05.600 –> 00:24:09.800
we’re
00:24:09.800 –> 00:24:11.900
controlling by the Y cost event with
00:24:11.900 –> 00:24:13.900
doing the live streaming, this
00:24:13.900 –> 00:24:15.900
is this is definitely manageable
00:24:15.900 –> 00:24:17.700
we are actually
00:24:17.700 –> 00:24:19.800
coming to the end to see
00:24:19.800 –> 00:24:21.500
the cool
00:24:21.500 –> 00:24:23.200
simple steps for great things you should be
00:24:23.200 –> 00:24:25.600
summarized as those
00:24:25.600 –> 00:24:26.500
five points
00:24:26.500 –> 00:24:28.800
of these
00:24:28.800 –> 00:24:30.300
what are the key
00:24:30.300 –> 00:24:32.900
key items that we want to talk about the
00:24:32.900 –> 00:24:34.000
videographer by 6
00:24:34.000 –> 00:24:45.300
but
00:24:45.300 –> 00:24:47.900
when people look at a video and they said that that
00:24:47.900 –> 00:24:49.900
that looks like it should do that that looks good
00:24:49.900 –> 00:24:51.800
that’s just going to improve
00:24:51.800 –> 00:24:52.000
the quality
00:24:57.000 –> 00:24:59.900
let’s get back
00:24:59.900 –> 00:25:01.100
to wise
00:25:01.100 –> 00:25:03.600
either way I am
00:25:03.600 –> 00:25:05.600
using a phone to
00:25:05.600 –> 00:25:07.300
actually look at the
00:25:07.300 –> 00:25:09.800
questions that have come in so I’m using the motor right
00:25:09.800 –> 00:25:10.700
to terminate function hair
00:25:16.900 –> 00:25:18.600
do we have a nap yet so the
00:25:18.600 –> 00:25:20.100
app is on the App Store absolutely
00:25:20.100 –> 00:25:22.900
what are the
00:25:22.900 –> 00:25:24.100
benefits of these
00:25:24.100 –> 00:25:26.700
pieces of equipment needed to create
00:25:26.700 –> 00:25:28.300
a professional video for our company
00:25:28.300 –> 00:25:29.500
has expertise
00:25:29.500 –> 00:25:31.900
in
00:25:31.900 –> 00:25:32.800
the webcam
00:25:32.800 –> 00:25:34.900
strip
00:25:34.900 –> 00:25:35.200
it down
00:25:35.200 –> 00:25:41.000
more
00:25:41.000 –> 00:25:43.600
than that I would say it
00:25:43.600 –> 00:25:45.800
would seem that my f****** it but there’s
00:25:45.800 –> 00:25:46.000
definitely
00:25:46.000 –> 00:25:48.800
the blood
00:25:48.800 –> 00:25:49.500
represent to
00:25:49.500 –> 00:25:53.100
running
00:25:53.100 –> 00:25:55.700
it takes any time over there and then she why are
00:25:55.700 –> 00:25:57.800
nasty I feed and it
00:25:57.800 –> 00:25:59.900
makes it being webcam so you can get an extra
00:25:59.900 –> 00:26:01.700
vegan extra for each neck circuit from
00:26:01.700 –> 00:26:03.000
having a larger sense a camera
00:26:03.000 –> 00:26:05.600
I just
00:26:05.600 –> 00:26:07.700
go straight down into the flat
00:26:07.700 –> 00:26:09.900
magic into the computer off of off
00:26:09.900 –> 00:26:11.600
of the streaming get a half decent
00:26:11.600 –> 00:26:14.600
maybe
00:26:14.600 –> 00:26:16.100
the entry mic so it’s a one
00:26:16.900 –> 00:26:17.200
1
00:26:17.200 –> 00:26:21.000
+
00:26:21.000 –> 00:26:29.600
exam
00:26:29.600 –> 00:26:30.200
lighting
00:26:30.200 –> 00:26:34.400
a
00:26:34.400 –> 00:26:35.000
list of
00:26:35.000 –> 00:26:39.000
what
00:26:39.000 –> 00:26:39.800
we use Sol
00:26:39.800 –> 00:26:42.000
battery
00:26:42.000 –> 00:26:44.100
pack United cables that
00:26:44.100 –> 00:26:53.700
I
00:26:53.700 –> 00:26:55.600
see you working with several
00:26:55.600 –> 00:26:57.900
camera cameras and different angles if
00:26:57.900 –> 00:26:59.900
we have one what is the best
00:26:59.900 –> 00:27:01.900
position to
00:27:01.900 –> 00:27:02.500
place it
00:27:02.500 –> 00:27:05.300
you’re
00:27:05.300 –> 00:27:07.900
trying to achieve what we see if
00:27:07.900 –> 00:27:09.900
you got a someone doing it down the
00:27:09.900 –> 00:27:09.900
lens
00:27:11.200 –> 00:27:11.900
you just want
00:27:11.900 –> 00:27:14.100
you
00:27:14.100 –> 00:27:16.000
just want to see you at you at you and get your message across
00:27:16.000 –> 00:27:18.800
that way. That’s the angle
00:27:18.800 –> 00:27:20.400
or if you doing it then I like this
00:27:20.400 –> 00:27:21.000
some
00:27:21.000 –> 00:27:21.000
people
00:27:34.000 –> 00:27:36.900
the Crosslands long as I didn’t to
00:27:36.900 –> 00:27:37.000
be
00:27:37.000 –> 00:27:46.100
so
00:27:46.100 –> 00:27:48.600
what you do is Wyckoff easy to implement
00:27:48.600 –> 00:27:54.300
in
00:27:54.300 –> 00:27:55.900
software
00:27:55.900 –> 00:27:57.400
license to
00:27:57.400 –> 00:27:59.900
build on a particular device has won
00:27:59.900 –> 00:28:01.800
2-1 at you get a license
00:28:01.800 –> 00:28:03.500
if you are able to use the
00:28:03.500 –> 00:28:10.300
it
00:28:10.300 –> 00:28:12.900
is full people that
00:28:12.900 –> 00:28:14.800
are doing the recording this
00:28:14.800 –> 00:28:16.100
is this is creating more
00:28:16.100 –> 00:28:18.200
professional live streaming
00:28:18.200 –> 00:28:20.900
so it’s not necessary for everybody
00:28:20.900 –> 00:28:22.900
in an organization in the same way that life
00:28:22.900 –> 00:28:24.900
on webcam in the Tomb
00:28:24.900 –> 00:28:26.800
exhibition what anybody can go live
00:28:26.800 –> 00:28:28.800
with a single points for the
00:28:28.800 –> 00:28:30.800
camera is
00:28:30.800 –> 00:28:31.700
probably a bit more
00:28:31.700 –> 00:28:31.700
professional
00:28:34.000 –> 00:28:36.700
I guess the thing is we’ve barely scratched the surface of wild cost of
00:28:36.700 –> 00:28:38.900
a way it does it
00:28:38.900 –> 00:28:40.600
does titles it does Graphics
00:28:40.600 –> 00:28:42.500
it can do most of those we have
00:28:42.500 –> 00:28:44.300
multiple streams of
00:28:44.300 –> 00:28:45.100
different
00:28:45.100 –> 00:28:47.300
kind of like
00:28:47.300 –> 00:28:49.700
yeah it’s it’s it’s it’s a very
00:28:49.700 –> 00:28:51.700
very high-powered one something like abs
00:28:51.700 –> 00:28:52.400
for some
00:28:52.400 –> 00:28:58.200
what
00:28:58.200 –> 00:28:59.900
recommendations you have to get him lysine vitamin office
00:29:01.600 –> 00:29:02.800
I
00:29:02.800 –> 00:29:04.900
would I would
00:29:04.900 –> 00:29:05.100
say
00:29:05.100 –> 00:29:08.300
it’s
00:29:08.300 –> 00:29:10.400
45° angles to
00:29:10.400 –> 00:29:11.600
to subject to
00:29:11.600 –> 00:29:13.400
minimize the amount
00:29:15.400 –> 00:29:17.900
a natural light unless you know it’s going
00:29:17.900 –> 00:29:19.900
to be an issue know it’s going to be ready
00:29:19.900 –> 00:29:20.600
for you like
00:29:20.600 –> 00:29:28.500
yeah
00:29:28.500 –> 00:29:29.900
I know I mean
00:29:29.900 –> 00:29:39.900
I
00:29:39.900 –> 00:29:41.700
understand what time did
00:29:41.700 –> 00:29:43.500
most office environments that is
00:29:43.500 –> 00:29:43.500
white
00:29:48.100 –> 00:29:48.500
you know
00:29:49.800 –> 00:29:51.900
there’s a lot of light in these meetings
00:29:51.900 –> 00:29:53.000
is the Love Light In Flight
00:29:53.000 –> 00:30:02.100
yeah
00:30:02.100 –> 00:30:04.600
okay so I think that
00:30:04.600 –> 00:30:06.700
is bounced it
00:30:06.700 –> 00:30:08.900
thank you very much everybody
00:30:08.900 –> 00:30:10.600
this
00:30:10.600 –> 00:30:11.100
particular
00:30:11.100 –> 00:30:14.000
view
00:30:14.000 –> 00:30:16.800
available did you want and I will be
00:30:16.800 –> 00:30:18.300
sending out the links to it
00:30:18.300 –> 00:30:20.200
if you have any
00:30:20.200 –> 00:30:22.800
questions for us get in touch all
00:30:22.800 –> 00:30:24.300
details will be available
00:30:24.300 –> 00:30:26.300
on the follow-up emails in that
00:30:26.300 –> 00:30:28.500
information about videography
00:30:28.500 –> 00:30:29.500
if anyone wants to
00:30:29.500 –> 00:30:32.400
just
00:30:32.400 –> 00:30:33.200
drop me a line